PROF. BYRON KNUTSON
COACH, OPERA REPERTOIRE
MASTERCLASS FACULTY
Byron Knutson studied piano, conducting, composition and acting in his hometown of Winnipeg, Canada, and in the United States. After completing the Artist Diploma in Opera Coaching at the University of Cincinnati College-Conservatory of Music, he was appointed Visiting Professor of Song Interpretation at Albion College in Michigan. In 1999, Mr. Knutson moved to Germany, where until 2010 he worked in the opera houses in Kiel, Halle and Augsburg, conducting operatic repertoire from baroque to contemporary, including operetta, musicals and ballet. In 2010, Mr. Knutson took over the musical direction of the young artist program at the Komische Oper Berlin. While at the KOB, Mr. Knutson conducted works by Handel, Mozart, Weill, Ginastera and a critically acclaimed production of Phlip Glass’ Les enfants terribles directed by Felix Seiler. Mr. Knutson’s has worked with conductors such as Paolo Arrivabeni (Bellini’s La Straniera; Theater an der Wien), Friedemann Layer (Der Rosenkavalier) Johannes Kalitzke (World Premiere, Olga Neuwirth’s American Lulu), Patrick Lange (Rigoletto), Carl St. Clair (Aribert Reimann’s Lear), Sebastian Lang-Lessing (Der Rosenkavalier, National Center for the Performing Arts, Beijing), Christian Curnyn (Castor et Pollux), Lü Jia (Tannhäuser, Beijing). Mr. Knutson has also prepared the casts of Reimann’s Lear and Die Gespenstersonate for productions at Theater an der Wien and in Tokyo. Mr. Knutson frequently gives Masterclasses in North America, Europe and China. In 2015 Mr. Knutson was appointed Professor of Operatic Studies at the Hanns Eisler Conservatory in Berlin. He is also currently music director of the Berliner Wagner Gruppe.
CAROL MASTRODOMENICO
VOICE PEDAGOGUE
MASTERCLASS FACULTY
Carol Mastrodomenico maintains an active schedule as a guest soloist with choruses, orchestras and other ensembles. She excels in the interpretation of oratorio, and has appeared recently in Poulenc’s Gloria, Beethoven’s Mass in C and Ninth Symphony, Brahms’ Requiem, Haydn’s Lord Nelson Mass, Mozart’s Coronation Mass and Requiem, Mahler’s Second Symphony, Mendelssohn’s Psalm 42, Handel’s Messiah, Vivaldi’s Gloria, and Fauré’s Requiem.
Ms. Mastrodomenico is an accomplished recitalist, and has recently performed programs ranging from premieres of contemporary music to cabaret programs involving interaction with the audience. She recently toured England with her production of John Morrison’s Jane Austin’s History of England singing the role of Emce. She premiered John McDonald’s Put this in your Pipe and Speech Made by Music with the Essex Chamber Players, and premiered Ellen Bender’s Five Emily Dickinson Songs during New England Conservatory’s Contemporary Festival. Other noted composers she has worked with include Robert DiDomenica and David Leisner. Ms. Mastrodomenico has a great love for Spanish Repertoire, and enjoys programing Spanish and particularly Argentinian songs to introduce the repertoire to her recital audiences.
A champion of vocal chamber music, she has worked with noted musicians premiering new works at contemporary festivals sponsored by BMOP and composer groups at Tufts University and Longy School of Music of Bard College. She has been invited to perform at the Tanglewood Music Center, Jordan Hall, Faneuil Hall, the Warebrook Contemporary Music Festival, the Boston Vocal Artists Series, the 1794 Meeting House concert Series in New Salem, and the Music at Noon Concert Series at the Swedenborg Chapel.
Ms. Mastrodomenico is the stage director of both the Tufts University Opera Ensemble and the Longy School of Music of Bard College’s Opera Theater at Longy. Recent productions she has directed include Le Nozze di Figaro, Der Zwerg, L’amico Fritz, Gianni Schicchi, Three Sisters who are not Sisters, Three Penny Opera, Dido and Aeneas, Old Maid and the Thief, Amelia Goes to the Ball, Riders to the Sea, Gallantry, The Telephone and Doctor Miracle. Ms. Mastrodomenico is a passionate advocate for newly composed works. With the Tufts Opera Ensemble, she commissioned and directed the world premieres of Knave of Hearts by Vartan Aghababian in 2013 and No Onions, nor Garlic by Thomas Stumpf in 2014. With the Longy Opera Workshop, she commissioned and directed the world premiere of Jane Austen’s History of England by John Morrison in 2014. It is her hope to commission a new opera work every year.
Ms. Mastrodomenico is just as passionate about vocal pedagogy and teaching voice. She has participated in panel discussions by the Boston NATS (National Association of Teachers of Singing) Chapter on the different elements of "Teaching Men to Sing", and was invited by the Western Massachusetts NATS chapter to give a solo presentation on Teaching Men. Her master classes at the Classical Singer Convention, Regional NATS workshops and area Colleges are widely attended. At her invitation, renowned pedagogue Ken Bozeman spoke in the Boston area about the Pedagogical Applications of Vocal Acoustics for teaching voice. She developed and annually taught a vocal curriculum for string performers at the Heifetz International Summer Institute in Staunton, Virginia, US.
Ms. Mastrodomenico’s students can be heard singing throughout the United States, Europe, and South America. They have been accepted into graduate and undergraduate programs at Julliard, Manhattan School of Music, New England Conservatory of Music, Eastman School of Music, University of Colorado at Boulder, University of Texas at Austin, University of North Texas, Cleveland Institute of Music, University of Miami, Frost School of Music, Michigan State University, University of Maryland at College Park, Ithaca College, Guild Hall and The Royal Academy of Music in London. Her singers regularly attend young artist programs at Houston Grand Opera Outreach Program, Central City, Berlin Song Festival, Edinburgh Music Festival and Halifax Opera Festival.
Ms. Mastrodomenico received her Master of Music degrees in Vocal Performance and Vocal Pedagogy at New England Conservatory of Music. She is on the voice faculties of Longy School of Music of Bard College and Tufts University.
Ms. Mastrodomenico is an accomplished recitalist, and has recently performed programs ranging from premieres of contemporary music to cabaret programs involving interaction with the audience. She recently toured England with her production of John Morrison’s Jane Austin’s History of England singing the role of Emce. She premiered John McDonald’s Put this in your Pipe and Speech Made by Music with the Essex Chamber Players, and premiered Ellen Bender’s Five Emily Dickinson Songs during New England Conservatory’s Contemporary Festival. Other noted composers she has worked with include Robert DiDomenica and David Leisner. Ms. Mastrodomenico has a great love for Spanish Repertoire, and enjoys programing Spanish and particularly Argentinian songs to introduce the repertoire to her recital audiences.
A champion of vocal chamber music, she has worked with noted musicians premiering new works at contemporary festivals sponsored by BMOP and composer groups at Tufts University and Longy School of Music of Bard College. She has been invited to perform at the Tanglewood Music Center, Jordan Hall, Faneuil Hall, the Warebrook Contemporary Music Festival, the Boston Vocal Artists Series, the 1794 Meeting House concert Series in New Salem, and the Music at Noon Concert Series at the Swedenborg Chapel.
Ms. Mastrodomenico is the stage director of both the Tufts University Opera Ensemble and the Longy School of Music of Bard College’s Opera Theater at Longy. Recent productions she has directed include Le Nozze di Figaro, Der Zwerg, L’amico Fritz, Gianni Schicchi, Three Sisters who are not Sisters, Three Penny Opera, Dido and Aeneas, Old Maid and the Thief, Amelia Goes to the Ball, Riders to the Sea, Gallantry, The Telephone and Doctor Miracle. Ms. Mastrodomenico is a passionate advocate for newly composed works. With the Tufts Opera Ensemble, she commissioned and directed the world premieres of Knave of Hearts by Vartan Aghababian in 2013 and No Onions, nor Garlic by Thomas Stumpf in 2014. With the Longy Opera Workshop, she commissioned and directed the world premiere of Jane Austen’s History of England by John Morrison in 2014. It is her hope to commission a new opera work every year.
Ms. Mastrodomenico is just as passionate about vocal pedagogy and teaching voice. She has participated in panel discussions by the Boston NATS (National Association of Teachers of Singing) Chapter on the different elements of "Teaching Men to Sing", and was invited by the Western Massachusetts NATS chapter to give a solo presentation on Teaching Men. Her master classes at the Classical Singer Convention, Regional NATS workshops and area Colleges are widely attended. At her invitation, renowned pedagogue Ken Bozeman spoke in the Boston area about the Pedagogical Applications of Vocal Acoustics for teaching voice. She developed and annually taught a vocal curriculum for string performers at the Heifetz International Summer Institute in Staunton, Virginia, US.
Ms. Mastrodomenico’s students can be heard singing throughout the United States, Europe, and South America. They have been accepted into graduate and undergraduate programs at Julliard, Manhattan School of Music, New England Conservatory of Music, Eastman School of Music, University of Colorado at Boulder, University of Texas at Austin, University of North Texas, Cleveland Institute of Music, University of Miami, Frost School of Music, Michigan State University, University of Maryland at College Park, Ithaca College, Guild Hall and The Royal Academy of Music in London. Her singers regularly attend young artist programs at Houston Grand Opera Outreach Program, Central City, Berlin Song Festival, Edinburgh Music Festival and Halifax Opera Festival.
Ms. Mastrodomenico received her Master of Music degrees in Vocal Performance and Vocal Pedagogy at New England Conservatory of Music. She is on the voice faculties of Longy School of Music of Bard College and Tufts University.
BRIAN MOLL
COACH, SONG REPERTOIRE
MASTERCLASS FACULTY
Brian Moll is Chair of the Piano and Collaborative Piano departments at the Longy School of Music of Bard College in Cambridge, Massachusetts, where he teaches classes in chamber music, vocal repertory and diction. He is also on the faculty of the Boston Conservatory and the New England Conservatory of Music, where he is instructor or repertoire courses and a coach for the opera department. As a keyboardist he has worked with Emmanuel Music, Boston Baroque, and the Handel & Haydn Chorus and Orchestra and has also served as Assistant Conductor for productions by Boston Lyric Opera, Opera North and Boston Midsummer Opera. He has appeared in the ‘Strings in the Mountains Festival” in Colorado, and at the New Hampshire Music Festival and has been on the summer faculty of the Lied Austria Program in Graz.
A magna cum laude graduate of Hamilton College, Moll earned further degrees from the Hochschule für Musik in Vienna, Austria and the University of Michigan School of Music, where he studied with Martin Katz. While in Vienna, he earned diplomas with distinction in piano and organ and also taught as a Fulbright teaching assistant. He has given recitals as a pianist and organist in Germany, Austria, Switzerland, France, Bulgaria, France, and throughout the United States, and has appeared with singers Barbara Kilduff, Barbara Quintiliani, Sheri Greenawald, Wolfgang Brendel, Sir Thomas Allen, Kevin Deas, Yeghishe Manucharyan, and Kelly Kaduce.
Moll has appeared in such prestigious halls as Vienna’s Mozartsaal, the Haydnsaal at the Esterhazy Castle in Eisenstadt, Austria, Tokyo’s Lilia Hall, and Boston’s Jordan Hall.
Brian Moll is the Whiting Fellowship Recipient (Harvard University).
A magna cum laude graduate of Hamilton College, Moll earned further degrees from the Hochschule für Musik in Vienna, Austria and the University of Michigan School of Music, where he studied with Martin Katz. While in Vienna, he earned diplomas with distinction in piano and organ and also taught as a Fulbright teaching assistant. He has given recitals as a pianist and organist in Germany, Austria, Switzerland, France, Bulgaria, France, and throughout the United States, and has appeared with singers Barbara Kilduff, Barbara Quintiliani, Sheri Greenawald, Wolfgang Brendel, Sir Thomas Allen, Kevin Deas, Yeghishe Manucharyan, and Kelly Kaduce.
Moll has appeared in such prestigious halls as Vienna’s Mozartsaal, the Haydnsaal at the Esterhazy Castle in Eisenstadt, Austria, Tokyo’s Lilia Hall, and Boston’s Jordan Hall.
Brian Moll is the Whiting Fellowship Recipient (Harvard University).
AYOZE NICOLÁS RODRÍGUES MARTÍN
CONDUCTOR, LANZAROTE ENSEMBLE ORCHESTRA
ARTISTIC DIRECTOR
ARTISTIC DIRECTOR
Born in Arrecife (Lanzarote) on the 28th October 1983, Ayoze Nicolás Rodríguez Martín began his musical studies in 1991 in the Elementary Conservatory of Music Lanzarote majoring in clarinet. During this period he performed numerous performances with quartets, trios and duets with piano. In 2001 he entered the Higher Conservatory of Santa Cruz de Tenerife and in 2002 the Academy of Orchestral Studies Tenerife Symphony Orchestra where he studies with Michael Kirby, Vicente Ferrer and Pier Luigi Bernard.
He has also studies with Thomas Friedli, Joan Enric Lluna, Julián Menéndez, Radovan Cavallín, Justo Sanz, San Sebastián, Henri Bok, Schenbergue, Sylvie Hue and Philippe
Leloup, José Luis Estellés among others.
Ayoze Nicolás Rodríguez Martín has participated in various music festivals, having also collaborated and worked with the Tenerife Symphony Orchestra, La Laguna Classical Orchestra, Atlantic Orchestra, Orchestra of the Conservatorio Superior de Canarias, Chamber Orchestra of Trinity College, Symphony Orchestra of Trinity College and the Contemporary Music Chamber Orchestra playing as a solo clarinetist. He has toured Italy, the United Kingdom, India and Spain.
In 2007 he finished a postgraduate course in London with Joan Enric Lluna, where he also studied with international clarinetists Michael Wright, Victoria Soames and Bernaby Robson, among others.
He was principal clarinet of the Young Musicians Symphony Orchestra of London from 2006 to 2009. From 2012 to 2019 the also served as artistic director of the Lanzarote Classical Orchestra, being a founding member of it.
He currently performs concerts in different parts of the Canary Islands, Spain and European cities such as Paris, Berlin, London or Warsaw and in places like Morocco or Cape Verde.
Currently, Ayoze Nicolás Rodríguez Martín teaches improvisation classes at the Canary Islands Superior Conservatory of Music, directs the Teguise Music School and directs and conducts the Lanzarote Ensemble Orchestra.
He has also studies with Thomas Friedli, Joan Enric Lluna, Julián Menéndez, Radovan Cavallín, Justo Sanz, San Sebastián, Henri Bok, Schenbergue, Sylvie Hue and Philippe
Leloup, José Luis Estellés among others.
Ayoze Nicolás Rodríguez Martín has participated in various music festivals, having also collaborated and worked with the Tenerife Symphony Orchestra, La Laguna Classical Orchestra, Atlantic Orchestra, Orchestra of the Conservatorio Superior de Canarias, Chamber Orchestra of Trinity College, Symphony Orchestra of Trinity College and the Contemporary Music Chamber Orchestra playing as a solo clarinetist. He has toured Italy, the United Kingdom, India and Spain.
In 2007 he finished a postgraduate course in London with Joan Enric Lluna, where he also studied with international clarinetists Michael Wright, Victoria Soames and Bernaby Robson, among others.
He was principal clarinet of the Young Musicians Symphony Orchestra of London from 2006 to 2009. From 2012 to 2019 the also served as artistic director of the Lanzarote Classical Orchestra, being a founding member of it.
He currently performs concerts in different parts of the Canary Islands, Spain and European cities such as Paris, Berlin, London or Warsaw and in places like Morocco or Cape Verde.
Currently, Ayoze Nicolás Rodríguez Martín teaches improvisation classes at the Canary Islands Superior Conservatory of Music, directs the Teguise Music School and directs and conducts the Lanzarote Ensemble Orchestra.
ANASTASIA INNISS
CAREER FACULTY
EXECUTIVE DIRECTOR
EXECUTIVE DIRECTOR
Anastasia Inniss started her arts education at the age of 5, studying piano. She was a member of the Bulgarian National Theater Youth Ensemble, where she was cast in children's roles in numerous main stage and touring productions. Her training at the National Theatre included acting, improvisation, Latin and folk dance. She also studied percussion and classical guitar.
In addition to her musical interests, Ms. Inniss showed a keen interest in the visual arts & design. Before the age of 10, her watercolor paintings and color pencil drawings were selected for numerous solo and group art exhibitions. At the age of 8, she was the recipient of the City of Plovdiv Portrait Drawing Award having been selected from thousands of entries city-wide.
Ms. Inniss commenced her vocal training in Bulgaria and continued it at the Longy School of Music at Bard College (Cambridge, Massachusetts) as a recipient of the Janet Irving Scholarship for Vocal Studies. She was a member of the Central Florida Lyric Opera Young Artists Program and was later invited to return as a main stage Resident Artist with the company.
Opera roles include: Judith in A kékszakállú herceg vára (Grimeborn Opera Festival London); Woglinde in Das Rheingold (Berliner Wagner Gruppe); Elsa in Lohengrin (Berliner Wagner Gruppe); Ariadne in Ariadne auf Naxos (Edinburgh Fringe Festival), Violetta in La Traviata (Central Florida Lyric Opera; New London Opera Players, Fine Arts Chorale & Orchestra) Governess in Turn of the Screw (Opera Seria), Donna Anna in Don Giovanni (Opera Seria, Edinburgh Fringe Festival), Nedda in Pagliacci (Central Florida Lyric Opera), Micaëla and Frasquita in Carmen, under the directorship of late legendary soprano Licia Albanese (Central Florida Lyric Opera); Contessa in Le Nozze di Figaro (Central Florida Lyric Opera), Serpina in La serva padrona (Berliner Philharmonie Kammermusiksaal, concertante).
Ms. Inniss is a champion of new music. She has premiered works by prominent American and British composers such as Vartan Aghababian, Michael Djupstrom, Victoria Ellis, Heather Gilligan and Eric Sawyer; some of these works were written and dedicated to her. In addition to numerous song cycles and solo concert works with orchestra, she also created the role of Anna von Mildenburg in the new theater piece Geboren Alma Schindler (Berliner Opern Verein); the role of Member of the Chamber in the premiere performance of Eric Sawyer's Our American Cousin (Composers in Red Sneakers); and the title role in the world premiere of Victoria Ellis' opera Darling (One of Us Foundation).
Solo concert engagements include J.S. Bach Jauchzet Gott in alles Landen (Berliner Philharmonie Kammermusiksaal), Mein Herze schwimmt im Blut (Old North Concert Series), Magnificat in D (Fine Arts Chorale), Missa brevis in A (Fine Arts Chorale); Mozart's Requiem (Fine Arts Chorale), Missa Brevis in F (Sommerville Choir), Exultate Jubilate (Berliner Philharmonie Kammermusiksaal), Vesperae solennes de confessore (Somerville Choir); Händel's Messiah (College Park Players), L'Allego, il Pensieroso, ed il Moderato (Berliner Philharmonie Kammermusiksaal); Pergolesi Stabat mater (Berliner Philharmonie Kammermusiksaal); Schubert Mass in G (Highnam Choir and Orchestra); Dubois Seven Last Words of Christ (College Park Players); Vivaldi Gloria (Old North Concert Series); Vaughan Williams Dona nobis pacem (Tufts University Orchestra, cover); Mendelssohn's Midsummer Night's Dream (Longy Chamber Orchestra); Berg Sieben frühe Lieder (Kirchberg Chamber Music Festival); Mahler Rückert-Lieder (Berlin Song Festival); Strauss Vier letzte Lieder (Berlin Song Festival, Kirchberg Chamber Music Festival, Walbrook Music Trust, Galerieforum am Meer); Villa-Lobos Bachianas Brasilieras No.5 (Kirchberg Chamber Music Festival) among others.
As a concert artist, Ms. Inniss has also given numerous concert and solo recitals in the United States and in Europe.
Ms. Inniss is the co-founder and Artistic Director of Opera Programs Berlin and Dramatic Voices Program Berlin. Previously, she was the Artistic Director of the Berlin Song Festival and an Artistic Consultant for The Opera Stage (now folded into Classical Singer Magazine). She has worked as an educator in higher education as well as in leadership positions in the arts for the last 15 years, both in the United States and in Europe.
Her directing credits include: Purcell's Dido & Aeneas, Jason Robert Brown's The Last Five Years and a wide range of scenes from the operatic and musical theatre repertoire. She has served as a casting director and producer for Wagner's Das Rheingold, Wagner's Lohengrin, Strauss' Elektra, Wagner's Die Walküre and Jason Robert Brown's The Last Five Years. She also designed costumes for Purcell's Dido & Aeneas and Jason Robert Brown's The Last Five Years.
Ms. Inniss is a leader in the classical music industry. She has co-produced and hosted roundtable panel discussions on patterns of discrimination in the classical music industry - Singing While Black In Germany, Race in Opera and Ageism in Opera. In addition, she has spear-headed, produced and hosted Trans*Voices - a series of masterclasses for transgender and non-binary artists. She often raises money for such organisations as Save the Children, Berliner Aids-Hilfe, Hochschule für Musik Hanns Eisler CoronaCare, Black Lives Matter, Chineke! Foundation, Artist Relief Tree.
She currently splits her time between Berlin, London and the Canary Islands with her husband linguist Jahmai Inniss. In her free time, she enjoys long swims, cooking without recipes, spontaneous travel and pretty much anything to do with the ocean.
JAHMAI INNISS
DIRECTOR OF PRODUCTION
Born and raised in Kiel, Germany to immigrant parents from Trinidad and Ireland, Jahmai Inniss showed keen aptitude towards both languages and music very early on.
Brought up in a truly bi-lingual environment, he has worked as a classroom and a hybrid educator and linguist in the past 25 years. Having extensively studied French, Latin, German and English, as well as phonetics and literature, Mr. Inniss has been described as 'the word wizard' because of his knowledge of the interconnectedness of languages.
His education included an internship at the United Nations (NYC, New York, US, 2010) and a Train-the-Trainer Certificate at the Oxford Aviation Academy (Oxford, UK, 2009). He went to
Christian-Albrecht-Universität Kiel (Kiel, Germany) where he studies English Linguistics (BA), Psychology (BA), Musicology (BA) and Business Administration (BA).
Since 2014, he has worked as a linguist and educator in a wide variety of organisations in in-person and virtual classroom setting - general, business and IT English & German for WBS Training AG (nationwide, Germany); individual and group language classes for Mont Blanc (Hamburg, Germany), Sp&Se GmbH (Hamburg, Germany), dateup GmbH (Hamburg, Germany); medical English and German for Universitätskrankenhaus Schleswig-Holstein (Kiel, Germany). In addition he worked as a Speech Optimisation Specialist for Hamburg Airport (Hamburg, Germany) and Blohm & Voss KG (Hamburg, Germany). He has also served as a translator for both corporate and non-profit organisations for the past 25 years.
Mr. Inniss also held positions as a marketing, regional and event manager for vivawasser.de AG (Kiel, Germany), 1und1.de (Norddeutschland, Germany), Winzereibetrieb Kapellenhof (nationwide, Germany), Bergmann Gruppe (Norddeutschland, Germany) and Diaz-Soto Events (Kiel, Germany).
In the last 20 years, Mr. Inniss has successfully prepared thousands of students for the following exams and certificates - TOEFL, LCCI, IELTS, Cambridge Certificate and VPED.
He currently splits his time between Berlin, London and Lanzarote (Canary Islands) with his wife opera singer Anastasia Inniss. He spends his free time swimming, enjoying spontaneous travel and long drives, as well as learning Spanish and Bulgarian.
Brought up in a truly bi-lingual environment, he has worked as a classroom and a hybrid educator and linguist in the past 25 years. Having extensively studied French, Latin, German and English, as well as phonetics and literature, Mr. Inniss has been described as 'the word wizard' because of his knowledge of the interconnectedness of languages.
His education included an internship at the United Nations (NYC, New York, US, 2010) and a Train-the-Trainer Certificate at the Oxford Aviation Academy (Oxford, UK, 2009). He went to
Christian-Albrecht-Universität Kiel (Kiel, Germany) where he studies English Linguistics (BA), Psychology (BA), Musicology (BA) and Business Administration (BA).
Since 2014, he has worked as a linguist and educator in a wide variety of organisations in in-person and virtual classroom setting - general, business and IT English & German for WBS Training AG (nationwide, Germany); individual and group language classes for Mont Blanc (Hamburg, Germany), Sp&Se GmbH (Hamburg, Germany), dateup GmbH (Hamburg, Germany); medical English and German for Universitätskrankenhaus Schleswig-Holstein (Kiel, Germany). In addition he worked as a Speech Optimisation Specialist for Hamburg Airport (Hamburg, Germany) and Blohm & Voss KG (Hamburg, Germany). He has also served as a translator for both corporate and non-profit organisations for the past 25 years.
Mr. Inniss also held positions as a marketing, regional and event manager for vivawasser.de AG (Kiel, Germany), 1und1.de (Norddeutschland, Germany), Winzereibetrieb Kapellenhof (nationwide, Germany), Bergmann Gruppe (Norddeutschland, Germany) and Diaz-Soto Events (Kiel, Germany).
In the last 20 years, Mr. Inniss has successfully prepared thousands of students for the following exams and certificates - TOEFL, LCCI, IELTS, Cambridge Certificate and VPED.
He currently splits his time between Berlin, London and Lanzarote (Canary Islands) with his wife opera singer Anastasia Inniss. He spends his free time swimming, enjoying spontaneous travel and long drives, as well as learning Spanish and Bulgarian.
NO AGE LIMIT
⚬
ALL ARTISTS WILL RECEIVE A PARTIAL SCHOLARSHIP,
HEAVILY DISCOUNTED ACCOMMODATIONS & FULLY SUBSIDIZED LOCAL TRAVEL
The Lanzarote Opera Festival & Academy is made possible through the generous support of
Centros de Arte, Cultura y Torismo (CACT) Lanzarote.
Centros de Arte, Cultura y Torismo (CACT) Lanzarote.